The biggest high in the film, however, is the music. She manages to depict her subtle romance with Jyotindranath and her own ego clash with Kadambari with elan. The show-stealer is, however, Titas Bhowmik, who breathes life into the character of Gyanodanandini. Kaushik Sen, too, look the part of a suave gentlemen with a colourful life. But the same can't be said for Konkona, who is subtle, yet expressive. Somehow, he sticks to his typical expressions and mannerisms - never really becoming the poet he is playing. But yes, it's a wholly watchable film because every actor has lived his/her part though Parambrata is a bit of a disappointment. I'm saying that because anyone trying to draw historical parallels with the series of incidents depicted in the film might be a mite disappointed. It kind of begins and ends with Kadambari Devi (Konkona), though it isn't really a biopic. But in showing the bonding and the inevitable romance between Rabindranath (Parambrata) and his sister-in-law, it does miss out on a distinct storyline. No, not the least mindless or illogical, but a rather intelligently made film that keeps you glued to the screen throughout its 90-minute-long life.
This lays the foundations for her bond with young Rabindranath - a relationship that grows with them till others start noticing their closeness.
Kadambari Devi enters the Tagore household as philanderer Jyotindranath's wife at the age of nine, only to find herself lonely and sidelined.
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